How To Loot Brazil

For 16 years straight, How To Loot Brazil consistently cut their own path
without a care in the world.

Being described as „probably Germany's best indie band“ (OX) or „even
more genius than the band itself can
imagine“ (VISIONS), they still stay under the radar of attention, probably
not meeting the demands of social media as they don't have anything to
sell but their music itself.

And there's a lot of music: Eight studio albums, one EP and numerous
remixes for other artists underline their impressive work ethic. Their
sound can hardly be categorized but maybe best be described as
eclectic indie pop with an attitude, ranging from fast and angry (Post)
Punk with Riot Girl shoutings to anthemic Indie Rock and acid flavored
dance music with an undeniable love for the 80s, giving labels a (...) Mehr anzeigennd
bookers a hard time to put them in their rosters. But the golden thread
running through all of their songs is the undisputed commitment to great
catchy melodies and their frenetic drive to write ultimate pop hooks.

Since How To Loot Brazil decided to share some of their acapellas, the
internet is bursting with remixes from hundreds of producers around the
world, e.g. Never Surrender (NL), French Fuse (FRA), Mojjo (BRA)or,
most notably, Kodak Black who sampled the chorus of "Errror" for his
massive hit Super Gremlin resulting in a billboard platinum certification
and almost a billion streams in total.

How To Loot Brazil are totally DIY in all respects. Apart from their first
album “Auto Fister”, which came out on Frank Popp's label TV Eye, they
release all their tracks via their own digital label “Look! Mum! No Hit!”
without any third party promotion or distribution support. They write and
produce their music entirely by themselves in their own home studio in
Soest, a small town in the West of Germany.

PRESS QUOTES
“One of the few current German hit factories” (OX)
“Tuneful, impulsive, danceable and again another
masterpiece” (Musikreviews.de)
“A great Indie-Disco-Wave-Punk cocktail” (Soundmag)
“Hooklines! Hooklines everywhere – the ultimate Post
Punk/New Wave orgasm” (Triggerfish)
“From beats to vocals, everything fits perfectly”
(Punkrocknews)
“Entertainment at its best” (Intro)
“Hooklines for minor league stadiums” (Musikexpress)
“Just pure fun to listen to” (Medienkonverter)
“Their rumbling powerful sound has more character than
most current Punk Rock productions” (Wahrschauer)
“Hooklines and danceability at a maximum level”
(Terrorverlag)
“Old school is burning, ignited by a dozen style collisions on
every track. Big fun” (FFM-Rock) Weniger anzeigen